Reservations for
Two
BY Lori Goodman
JIM and ANNE
are sitting at a table in a small, intimate restaurant. THEY are picking at
the last remains of dessert on their plates and laughing.
JIM ....
So then this "thing" circled round and had this, I don't know long
projectile coming out with velcro or something on the end and ...
ANNE. Eeew.
Sounds awful.
JIM. Oh
it was. It had to be the ugliest thing I've seen him do and I've seen some
ugly stuff of his.
ANNE. It must be
hard to look at a friend's work and not like it.
JIM.
Especially when he asks your opinion.
ANNE. Oh yeah.
JIM. And
this guy's sensitive, too.
ANNE. So what did you tell him?
JIM.
Well, I didn't want to hurt his feelings, but I didn't
want to lie either.
ANNE. So what
did you say?
JIM. I
told him it was great.
ANNE. You didn't.
JIM. I
had to.
ANNE.Oh.
JIM. But
he was so excited. I couldn't do it. I did tell him though that I didn't
really understand it.
ANNE. It doesn't
sound like it would be possible to.
JIM.
Yeah. He liked that. Made him feel above the masses.
ANNE. Artists.
JIM.
Yeah. I have a hard time saying negative things to people.
ANNE. Well, it doesn't really matter.
JIM. I
don't see him that much.
ANNE. That's good.
JIM.
Yeah. So, I had a nice time talking to you the other night.
ANNE. Me too. It
was a fun party.
JIM.
Yeah. I'm glad you were there.
ANNE. I don't
usually ... uh, never mind.
JIM.
What?
ANNE. This is a
nice restaurant.
JIM. I've
only been here a few times.
ANNE. It's really nice.
JIM.
Yeah. I like it.
ANNE. You have
good taste in restaurants.
JIM.
Thanks. I think I have good taste in women, too.
ANNE. What?
JIM. You
look very pretty tonight.
ANNE. Oh, oh
thank you. (SHE casually tosses her hand back which sends her fork
flying.)
JIM.
Oops.
ANNE. Oh, no.
(SHE goes to get it. JIM picks it up goes to clean it offin his
water glass but stops himself)
JIM.
Here, you can use mine.
ANNE. Oh, thank
you. I was finished anyway. That was pretty silly.
JIM. You
know, I wanted to call you Sunday but I thought ...
(ANNE picks at her dessert with her fingers.)
ANNE.
You could have.
JIM.
Well, we had just met Saturday night and .
ANNE. You're
probably right. It's good you waited.
JIM. Why? (ANNE eats with her fingers.)
ANNE. I don't
know. (JIM holds out his fork to her.)
JIM. Here. Why don't you use this?
ANNE. Oh, oh my.
Thank you. I'm such a pig.
JIM. I think you're very attractive.
ANNE. Yeah? Huh.
JIM. Hasn't
anyone ever told you that?
ANNE. Oh yeah
uh, I mean yes, kind of.
JIM. Oh. Urn, I uh was
.
ANNE. Did you
come here from work?
JIM. No.
ANNE. Oh. I saw
your briefcase and I thought maybe ...
JIM. No. I just
have it.
ANNE. Oh.
(JIM moves in closer to her and touches her hand.)
JIM. Actually, I
was hoping to go home with you tonight and brought my briefcase in case you
said yes.
ANNE. Oh, my
God.
(ANNE breaks her hand away and accidently knocks over a glass of
water.)
JIM. Oops.
ANNE. Oh no.
(SHE tries to clean it up and knocks over another glass.)
ANNE. Oh damn.
(JIM tries to help.) Damn, Damnit.
JIM. Are you
okay? (ANNE has forgotten JIM'S presence.)
ANNE. Damn,
Jesus.
JIM. I'm sorry.
ANNE. Damn.
JIM. Is
something wrong?
ANNE.
Look at this.
JIM.
What?
ANNE.
What?
JIM.
What?
(ANNE snaps out
of it. realizes they are standing and self consciously goes to sit down.
JIM follows.)
ANNE. I
don't know.
JIM. Me
neither.
ANNE.
What?
JIM. I
don't know what you don't know.
ANNE.
What don't you know?
JIM. What
you don't know.
ANNE. I
don't want to get hurt.
JIM. Me
neither.
ANNE. I
shouldn't have said that.
JIM. Why?
ANNE. I
shouldn't have said that either.
JIM. What
are we talking about?
ANNE. I
don't want to get hurt.
JIM.
Neither do I.
ANNE. No?
JIM. I
understand your apprehension.
ANNE.
Really? I don't want to seem needy.
JIM. You
don't.
ANNE. I
shouldn't have said that.
JIM. It's
okay. I shouldn't have said I want to go home with you.
ANNE. No,
I appreciate that, really. I just don't want to misread your intentions.
JIM. But
I don't have any intentions. I just want to get to know you.
ANNE.
Why?
JiM.
What?
ANNE. I
shouldn't have said that.
JIM.
What?
ANNE. What?
JiM.
Let's not start that again, okay?
ANNE. I'm sorry.
It's just ... well, you talk more than most men I've been out with and I
guess it scares me
a little.
JIM. Why?
ANNE. Because
you say nice things and you don't really know me.
JIM. I
know you well enough to want to get to know you better.
ANNE. Do you
really think you're going to do that by sleeping with me on our first date?
JIM.
Uh
...
ANNE.
Typical.
JIM.
What?
ANNE. Nothing.
I'm sorry ... I just ... forget it.
JIM.
Don't you like me to think you're attractive?
Don't you want me to say nice things to you?
ANNE. I guess.
It's just, well, I've heard them before and well, you - I mean men - say
things all the time. You
do all this stuff to woo us-women.
JIM.
Well, we-men-want you-women--to like
us.
ANNE. We
wouldn't go out with you if we didn't like you. All that other junk is
fluff. Dangerous fluff.
JIM. Why?
ANNE. I mean,
there's something more at work here. I, uh, we take it more seriously than
you intend. If we don't like you we worry about you getting too attached and
if
we like you a
lot, then it really gets dangerous because we think you like us the same but
you rarely do and well, there
has to be a reason for the wooing.
JIM. Are
you saying that we don't consider our actions?
ANNE. I'm sorry,
but 1 know you don't. Not you per
se ...
JIM. I
understand. Go on.
ANNE. Where was I?
JIM. Men
are incredibly inconsiderate about
ANNE. Right,
right, thanks. Yeah, you just kind of do things that feel right at the
moment without thinking of the possible message you're sending or the
consequence of your action.
JIM. It's
interesting that you say that. I, personally, always thought of wooing as
kind of a harmless thing. You
know, like in the old days when they said stuff like "swell" or "GeeMary,
that would be grand" and …
ANNE. Who's
Mary?
JIM.
What?
ANNE. Mary. You
said she was grand.
JIM. Oh.
No, I meant that's the way they talk in the old movies. There's usually
someone named Mary and she's
usually being wooed by someone.
ANNE.Oh.
JIM. I
guess you don't see the humor in that, huh?
ANNE. Oh no ... Ithink it's funny. Really. Poor Mary, poor stupid Mary.
JIM. 'Scuse
me?
ANNE. What the
hell does she get from all those guys that woo her?
JIM. I
don't know. Flowers and things ...
ANNE. I mean
what does she really get in the end? Do any of those guys stick around after
the movie's over?
JIM. I think you're missing the point here. Once it says "The End" ...
ANNE. The end
for the guy maybe but what about Mary? What's she left with other than a bunch
of dead flowers and broken promises?
JIM. Gee, I'm
sorry for Mary, wherever she is. I always thought of wooing as a harmless thing.
ANNE. Oh
that's a good one.
JIM. Is
something wrong?
ANNE. What?
Oh, I'm sorry. I get a little emotional when I talk about this kind of thing.
JIM. I
noticed.
ANNE. I'm
sorry. I don't mean to put this on you.
JIM. It's
okay. I'm interested.
ANNE. You're
really very nice. I should stop talking.
JIM. Not
until you tell me why this upsets you so much.
ANNE. No,
it's silly.
JIM. Let me
be the judge of that.
ANNE. Well,
it's just that you don't give a damn. Not you personally, but men in general.
It's like you become infatuated, call all the time, bring little gifts, talk
about going away together, etc ... , etc ... Then we respond in the way we know
how, by calling you or bringing you gifts
and whammo! You guys see the old ball and chain and pull back, waaaay back.
JIM. Really?
ANNE. Yeah.
It's like it's okay for you, the general you, not the, well, you know. It's okay
for you to pour all kinds of gush on us but when we do it ... and even if we
tell you to stop, that we don't want to get too attached, you do it anyway. It
doesn't matter what we want. It's
all self-serving, all for you, all of it.
JIM.
(chuckling)
I don't know about
that.
ANNE. Well, I
do buddy. I've been on the receiving end of that crap and it just burns my butt.
You're so sweet, so damn attentive.
Then you get us in bed or something and the
challenge is over.
JIM. Uh ...
maybe you should keep it down a little.
ANNE. Well I'm sick of it. We're not toys, you know. We're not objects to be
conquered and then thrown away like empty beer cans. You guys think this is some
kind of game or
something. You try to figure out what we like, what we want to hear, and
then you do those things and say those things you think will work and see how
long it takes to get us in bed.
Then when you do, hey, it doesn't matter who we are, does it? When you're
done, you just roll over and go to
sleep. All we get is this heaving lump of flesh lying next
to us while we're wide awake, staring at the ceiling. And for what? I
don't know, you tell me.
JIM. People
are starting to stare.
ANNE. Do you know
what happens as a result of your harmless wooing? We get to the point
where our mood is dependent on whether you called that day or not. Do you
believe it? Our whole sense of
self-worth is determined by someone we hardly know.
(JIM starts to rise but ANNE holds him down with her hands wrapped around his
throat.)
ANNE. Oh,
no you don't. Let me tell you something, pal. You, and all the others like you.
This is not a game. Monopoly's a
game. Backgammon's a game. Women are not! WOMEN
ARE SERIOUS DAMN BUSINESS!
(JIM breaks free.)
JIM. Check
please!
ANNE. Oh no ... OhmyGod, I did it again. I've done it again.
(ANNE tries to go to Jim but HE jumps back and accidently knocks over
his coffee.)
JIM. Stay
away from me. Oh Jees ...
ANNE. Let me
explain. I didn't mean.
JIM. Forget it.
(JIM tries
to clean up the spill.)
ANNE. I'm
such a jerk. We were having ... I'm so sorry.
JIM. It's okay.
Maybe you're having a bad day. Where's the waiter?
ANNE. No, I'm
a jerk.
A major jerk.
I always do this.
JIM. Oh God.
ANNE. I'll be
sitting there, having a nice time just chatting generically with someone and
then, I don't know, something
happens. Suddenly the conversation shifts to a personal level
and I lose it. It's like these sensors go off. Sirens ring in my head
... "Danger, danger, change of status, he wants to get physical, danger, danger,
whoop, whoop" ...
JIM. You're just
trying to protect yourself.
ANNE. I'm out
of control.
JIM. I don't blame
you. Where's the damn waiter?
ANNE. I
forgot where I was. You're just so easy to talk
to.
JIM. Lucky me.
ANNE. What?
JIM. Look, the
waiter doesn't seem to be around. Why don't we pay
up front?
ANNE. I'm
never going to see you again am I?
JIM. Sure you will.
ANNE. You
don't have to lie to me. I can see it in your face.
JIM. I don't know
what to say to you.
ANNE. What
can you say? I accused you of things you never did so what do I expect? I
thought maybe ... wen, it doesn't matter. I guess if I told you I'm not really
like this and I've just been burned you wouldn't believe me, would you?
JIM. Sure, I
know. We've all been burned.
ANNE. Yeah.
JIM. Look ...
we're two different people ... and I had a good time, sort of, but, well neither
of us
really knows if ... what I mean is it was interesting and I learned some
things but, you
know, I don't
well, I'll call you.
ANNE. Sure.
Let's pay the check. (he exits
in before her) Every time!
(THEY exit as the
lights FADE OUT.)
THE END