BRIGHTON BEACH
MEMOIRS
Blanche & Nora
NORA, running in exited!
NORA (A little breathless) Okay! Here
goes! . . . I'm going to be in a Broadway show!
(Blanche looks at her in a stunned
silence) It's a musical called
Abracadabra. This man, Mr. Beckman, he's a. producer, came to our dancing
class this afternoon and he picked out three girls. We have to be at the Hudson
Theater on Monday morning at ten o'clock to audition for the dance director. But
on the way out he took me aside and said the job was as good as mine. I have to
call him tomorrow. I may have to go into town to talk to him about it. They
start rehearsing a week from Monday and then it goes to Philadelphia, Wilmington
and Washington. . . and then it comes to New York the second week in December.
There are nine big musical numbers and there's going to be a big tank on the
stage that you can see through and the big finale all takes place with the
entire cast all under water. . . I mean, can you believe it? I'm going to be in
a Broadway show, Momma!
BLANCHE What are you
talking about? Did you tell him how old
you were?
NORA He didn't ask
me.
BLANCHE He didn't
ask if you were sixteen?
NORA He just asked me to audition. My God, aren’t you excited?
BLANCHE How can you go to Philadelphia? What about school?
NORA School? Momma,
this is a Broadway show. This is what I want to do with my life. Algebra and
English isn't going to help me on the stage.
BLANCHE You mean not
finish school? Not get a diploma? Do you know how hard it is today for a girl to
get a good job without a high school diploma?
NORA But I've
got a job. And I'll be making more
money than ten girls with diplomas.
--
BLANCHE
You don't have it yet. You still have to
audition.
NORA It's as good as
mine. Mr. Beckman told me.
BLANCHE And what if
you, God forbid, broke a leg? Or got heavy. . . How long do you think they'll
keep you? Dancing is just for a few years. A diploma is forever. I know. I never
had one. I know how hard it is to find a decent job.
NORA Then why did
you send me to dancing school for three years? Why do I spend two hours a day on
a subway, four days a week after school, with money that you make going half
blind over a broken sewing machine? Why, Momma?
BLANCHE Because it's
my pleasure. . . Because I know how you love it . . . Because you asked me.
NORA Then I'm asking
you something else, Momma. Let me do something for
you now. I could be making almost
sixty dollars a week. Maybe even more. . . In two years when I get out of high
school, I wouldn't make that much with a
college diploma.
BLANCHE
(Takes a deep breath) I can't think
now. It's almost dinnertime. Uncle Jack will be home soon. We'll discuss it
later. . .
(She gets up)
NORA I have to know
now, Momma. I have to call Mr.
Beckman and let him know if I can go to the audition on Monday. . . At least let
me audition. Let me find out first if they think I'm good enough. Please don't
say no until Monday.
BLANCHE Well, God
knows we can use the money. We all owe Aunt Kate and Uncle Jack enough as it is.
. . I think they have as much say in this as I do. Then we'll leave it up to
Uncle Jack. We'll let him make the decision.
(She starts for the kitchen)
NORA Why, Momma? I
love Uncle Jack, but he's not my father.
BLANCHE
Then the answer is no.
NORA
You can’t stop me!
(NORA exits, lights dim and come
back up indicating later in the evening.
BLANCHE is waiting up for NORA)
BLANCHE I wanted to
talk to you.
NORA Now? It's late.
BLANCHE I know it's
late. We could have talked earlier
if you didn't come home at twelve o'clock at night. (BLANCHE
walks into the living .room. NORA
follows her in and stands in the doorway)
NORA How was your:
dinner?
BLANCHE I didn't go.
Mr. Murphy was in an accident.
NORA I'm sorry. Is
he all right?
BLANCHE He's got his
problems, like the rest of us . . . I was very hurt that you left tonight
without saying goodbye.
NORA I was late.
Someone was waiting for me.
BLANCHE So was I.
You knew it was important to me.
NORA I'm not feeling
very well.
BLANCHE You
purposely left without seeing me. You've never done that before.
NORA Can we talk
about this in the morning?
BLANCHE I won't be
here in the morning.
NORA Then tomorrow
night.
BLANCHE I'm leaving,
Nora. I'm moving out in the morning.
NORA What are you
talking about?
BLANCHE Aunt Kate
and I had a fight tonight. We said some terrible things to each other. Things
that have been bottled up since we were children. I'm going to stay with my
friend Louise in Manhattan Beach until I can find a job. Then I'll send for you
and Laurie.
NORA I can't believe
it. You mean it's all right for you to leave
us but it wasn't all right for me to
leave you?
BLANCHE I was never
concerned about your leaving me. It
was your future I was worrying about.
NORA It was
my future. Why couldn't
I have something to say about it?
BLANCHE Maybe I was
wrong, I don't know. I never made the decisions for the family. Your father did.
Aunt Kate was right about one thing: everyone always took care of me. My mother,
my sisters, your father, even you and Laurie. I've been a very dependent per-
son all my life.
NORA Maybe that's
all I'm asking for. To be
independent.
BLANCHE
(Sternly) You
earn your independence. You don't
take it at the expense of others. Would that job even be offered to you if
somebody in this family hadn't paid for those dancing lessons and kept a roof
over your head and clothes on your
back? If anyone's going to pay back Uncle Jack, it'll be me-doing God knows
what, I don't know-but one thing I'm sure of. I'll
steal before I let my daughter show
that man one ounce of ingratitude or disrespect.
NORA So I have to
give up the one chance I may never get again, is that it? I'm the one who has to
pay for what you couldn't do with
your own life.
BLANCHE
(Angrily) What right do
you have to judge me like that?
NORA
Judge you? I can't even talk to
you. I don't exist to
you. I have tried so hard to get
close to you but there was never any
room. Whatever you had to give went
to Daddy, and when he died, whatever was left
you gave to-
(She turns away)
BLANCHE What? Finish
what you were going to say.
NORA. . . I have
been jealous my whole life of Laurie because she was lucky enough to be born
sick. I could never turn a light on in my room at night or read in bed because
Laurie always needed her precious sleep. I could never have a friend over on the
weekends be- cause Laurie was always resting. I used to pray I'd get some
terrible disease or get hit by a car so I'd have a leg all twisted or crippled
and then once, maybe just once, I'd
get to crawl into bed next to you on a cold rainy night and talk to you and hold
you until I fell asleep in your arms. . . just once. . .
(She is in tears)
BLANCHE My God,
Nora. . . is that what you think of me?
NORA Is it any worse
than what you think of me?
BLANCHE
(Hesitates, trying to recover) I'm
not going to let you hurt me, Nora. I'm not going to let you tell me that I
don't love you or that I haven't tried to give you as much as I gave Laurie. . .
God knows I'm not perfect, because enough angry people in this house told me so
tonight. But I am not going to be a
doormat for all the frustrations and unhappiness that you or Aunt Kate or anyone
else wants to lay at my feet. . . I did
not create this universe. I do not
decide who lives and dies, or who's rich or poor or who feels loved and who
feels deprived. If you feel cheated that Laurie gets more than you, then I feel
cheated that I had a husband who died at thirty-six. And if you keep on feeling
that way, you'll end up like me-with something much worse than loneliness or
helplessness and that's self-pity. Believe me, there is no leg that's twisted or
bent that is more crippling than a human being who thrives on his own
misfortunes. . . I am sorry, Nora, that you feel unloved and I will do
everything I can to change it except apologize for it. I am
tired of apologizing. After a while
it becomes your life's work and it doesn't bring any money into the house. If
it's taken your pain and Aunt Kate's anger to get me to start living again, then
God will give me the strength to make it up to you, but I will
not go back to being that frightened,
helpless woman that I created! I've
already buried someone I love. Now it's time to bury someone I hate.
NORA I didn't ask
you to hate yourself. I just asked you to love me.
BLANCHE I do, Nora. Oh, God, why can't I make that clear to you?
NORA I feel so
terrible.
BLANCHE Why?
NORA Because I think
I hurt you and I still want that job
with Mr. Beckman.
BLANCHE I know you
do.
NORA But I can't
have it, can I?
BLANCHE How can I
answer that without you thinking
I'm still depriving you?
NORA I don't know. .
. Maybe you just did.
BLANCHE I hope so,
Nora. I pray to God it's so.